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Image 1 of 1
DESCRIPTION
Ink and Charcoal on Fabriano paper
9¾ × 6¾ in
2025
Drawing on Goya’s Disasters of War (1810–1820) and responding to the current cycle of violent media imagery, these works aim to connect mark-making to the emotional and psychological anxieties of our time. Using charcoal, a malleable medium, and line, the drawings form through a process of layering washes, mark-making, wiping, and erasure—gestures that resist recognition and aim to speak what cannot be expressed. Both personal and political, the drawings stand as a visual protest against violence and apathy.
BIO
Carla Repice is an artist and educator based in New York City. Through both her individual practice and collaborative projects, her work grapples with the complexities of the human condition. She was born in Hoboken, NJ, to parents who migrated from southern Italy after World War II. Her work has been widely exhibited at venues including Pioneer Works (Brooklyn, NY); Equity Gallery (New York, NY); The San Diego Museum of Art (San Diego, CA); deCordova Sculpture Park and Museum (Lincoln, MA); Tough Gallery (Chicago, IL); Coop Gallery (Nashville, TN); and The New York Historical Society (New York, NY). Currently, she serves as director of education at the Hill Art Foundation, where she leads dynamic educational initiatives that activate and engage the Foundation’s exhibitions and collection.
DESCRIPTION
Ink and Charcoal on Fabriano paper
9¾ × 6¾ in
2025
Drawing on Goya’s Disasters of War (1810–1820) and responding to the current cycle of violent media imagery, these works aim to connect mark-making to the emotional and psychological anxieties of our time. Using charcoal, a malleable medium, and line, the drawings form through a process of layering washes, mark-making, wiping, and erasure—gestures that resist recognition and aim to speak what cannot be expressed. Both personal and political, the drawings stand as a visual protest against violence and apathy.
BIO
Carla Repice is an artist and educator based in New York City. Through both her individual practice and collaborative projects, her work grapples with the complexities of the human condition. She was born in Hoboken, NJ, to parents who migrated from southern Italy after World War II. Her work has been widely exhibited at venues including Pioneer Works (Brooklyn, NY); Equity Gallery (New York, NY); The San Diego Museum of Art (San Diego, CA); deCordova Sculpture Park and Museum (Lincoln, MA); Tough Gallery (Chicago, IL); Coop Gallery (Nashville, TN); and The New York Historical Society (New York, NY). Currently, she serves as director of education at the Hill Art Foundation, where she leads dynamic educational initiatives that activate and engage the Foundation’s exhibitions and collection.