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DESCRIPTION:
Sumi ink on book page
8.75 x 11.5 in
2021
BIO:
Coral Woodbury’s work is concerned with making visible the unseen, which encompasses exploring absences, illuminating the workings of personal and collective memory, and unsettling dominant historical narratives. From rural New York, Woodbury made her way to Florence to study painting. Thirty years on, the teachers she met there, rosenclaire, continue to mentor and inspire her practice. Recent honors include Cill Rialaig residency (Ireland); International Mother Art Prize, Finalist (UK); and an exhibition at Newport Art Museum (RI). Her work is held in public and private collections, including Katrin Bellinger Collection, Cross Steel Family Collection, and The Women’s Art Collection, University of Cambridge. She is represented by Abigail Ogilvy Gallery, Boston, and HackelBury Fine Art, London.
DESCRIPTION:
Sumi ink on book page
8.75 x 11.5 in
2021
BIO:
Coral Woodbury’s work is concerned with making visible the unseen, which encompasses exploring absences, illuminating the workings of personal and collective memory, and unsettling dominant historical narratives. From rural New York, Woodbury made her way to Florence to study painting. Thirty years on, the teachers she met there, rosenclaire, continue to mentor and inspire her practice. Recent honors include Cill Rialaig residency (Ireland); International Mother Art Prize, Finalist (UK); and an exhibition at Newport Art Museum (RI). Her work is held in public and private collections, including Katrin Bellinger Collection, Cross Steel Family Collection, and The Women’s Art Collection, University of Cambridge. She is represented by Abigail Ogilvy Gallery, Boston, and HackelBury Fine Art, London.